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Posts Tagged ‘J. Geils Band’

Now we have had a few days to let the Rock and Roll Hall of Fame’s nominees percolate a bit, and we’ve had some time to reflect on their merits. I’d like to continue my coverage, as is my tradition, by looking at each of the nominees in turn, and evaluating them in three areas: one is my simple, highly subjective ranking of how much I like them, which I will call preference. I’ll also attempt to more objectively evaluate each nominee on their worthiness to join the rock and roll greats in Cleveland. Finally, I’ll weigh in on the likelihood of their induction this year. Before I begin, I’d like to give a shout-out to Philip over at Rock Hall Monitors- I heavily borrowed this format of discussing the nominees from him.

With 19 nominees again this year, there’s no time to waste. Let’s get down to it.

Bon Jovi (Preference: 11, Worthiness: 18, Likelihood: 3) Well, the weird extended feud- which seems to have included Bon Jovi pulling their swag from the Rock Hall- seems to be over. Bon Jovi was nominated before- for the Class of 2011- but fell short. The fact that, say, Darlene Love, got in that year and they didn’t speaks volumes. The voters didn’t like what they were selling. But that was before the fan vote. As long as the fan vote has been there, its winner has gotten in- even if, in the case of KISS, we couldn’t track down an actual Rock Hall voter who picked them. I’m not saying it’s rigged or anything- I’m really not- but let’s just say the Hall has an incentive to induct Bon Jovi. The bad publicity of the almost inevitable fan vote winner failing to get inducted is one reason. The good publicity of uniting the band with estranged guitarist Richie Sambora is another. Still- if there was ever a time that a fan favorite might not get in- this would be the one. I still think they are a near-lock. Journey got in- but they weren’t on the same level of hackery and critical hatred and contempt from their contemporaries as Bon Jovi. We’ll see.

Kate Bush (Preference: 6, Worthiness: 13, Likelihood: 16) I think I predicted her a few years ago, never taking that prospect very seriously. Well, here we are! Kate Bush is one of the very best songwriters of her era, and has a place in British pop history as having performed the first #1 both written and sung by a woman (“Wuthering Heights”). Her oeuvre, very much like an avant-garde playlet set to music, wasn’t everybody’s cup of tea. (It is my cup of tea, though. “The Man with the Child in His Eyes” is one of my favorite tracks by any performer.) Yet, she stands out as an artist among the artists listed here. Unfortunately, she was much bigger in the UK than in the USA, and the Hall’s voters definitely tilt American. Moreover, the Hall must be aware that she will almost certainly be a no-show to the ceremony: she is a famously unwilling traveler, and took 35 years between concerts prior to her 2014 engagements in London. Moreover, she’s competing with Eurythmics in the arty new wave women category- and frankly, she’s just not the icon that Annie Lennox is.

The Cars (Preference: 4, Worthiness: 5, Likelihood: 5) With the exception of Chaka Khan, this is the only act on here that has been placed on the ballot each of the last three years. The Cars are in a sweet spot: lots of classic rock staples, but lots of critical love. Later baby boomers love them, but whichever Gen X music writers are voters probably view them highly as well. There’s also no shortage of modern acts who are fans of their work, keeping them relevant today.   But they might face the same issue that plagued them the last two years: being the sixth or seventh favorite act of too many voters, and not quite getting their box ticked.

Depeche Mode (Preference: 19, Worthiness: 10, Likelihood: 13) I’ll say this for Depeche Mode: they probably had more influence on what music sounds like today than anyone else on this list. Taking Kraftwerk’s embrace of electronica and achieving top 40 success, they were a major stadium act of their day.  They are fully deserving of Rock Hall induction, even if their music is much darker and not quite as melodic or organic as what I would prefer in my own listening habits. Acts of their caliber, though, have trouble getting in. While Depeche Mode isn’t quite alternative, the fact that The Smiths or The Replacements didn’t get in sniffing distance of induction doesn’t bode well, nor does Nine Inch Nails’ failure to get in during their two nominations.

Dire Straits (Preference: 3, Worthiness: 4, Likelihood: 6) Well, here was a surprise! Dire Straits were one of those acts that fell under the radar, never really coming up in any list of egregious snubs. And yet, now that they are up for consideration, the case for them seems evident. Mark Knopfler was one of the great rock guitarists of his era, they made some pioneering music videos, and- frankly- they stand out for me in terms of crafting fine rock and roll more than any other act on the ballot. Listen to their songs, and you get poetic slices of life with first-rate musicianship: “Espresso Love,” “Telegraph Road,” “Romeo and Juliet,” “Sultans of Swing.” And come on…you know you want Sting to come out and do “Money for Nothing” at the ceremony. This was a great, great choice, and they just might make it through, even on a competitive ballot like this year’s.

Eurythmics (Preference: 5, Worthiness: 9, Likelihood: 7) I knew if I kept predicting them, I would eventually be right! Eurythmics have a number of qualities that commend themselves to an easy induction process. The hall loves soulful singers, and Annie Lennox is probably the best singer on the ballot, depending on your feelings about Chaka Khan. She took the sonic palette of new wave and infused it with depth and humanity. Dave Stewart, for his part, has worked with the Heartbreakers, Ringo Starr, Stevie Nicks, Mick Jagger, Daryl Hall, and plenty of others. The hall has also given VH1 and MTV veterans a stronger presence on the Nom Com (and presumably the Voting Committee too) in recent years, and Eurythmics certainly made the most of the music video format.

J. Geils Band (Preference: 17, Worthiness: 19, Likelihood: 11) Ah, geez. Someone on the committee loves these guys, because this is their fifth appearance. By all accounts they were a very fine live band and I’m willing to look past their somewhat embarrassing string of 80s hits. I don’t think they suck or anything, but in my own judgment, they just don’t clear the bar of excellence or influence or even record sales to have even the remotest case for the Rock Hall. Nevertheless, I’m not willing to write off their chances. They have a “your favorite band’s favorite band” thing going for them, and voters loved blues acts enough to induct two of them in 2015. But J. Geils- essentially Chic without the charm or the pity votes- probably isn’t joining Stevie Ray and Paul Butterfield in the hall this year.

Judas Priest (Preference: 13, Worthiness: 6, Likelihood: 12) It seems like just last year, we were debating who would be next metal act now that Deep Purple was in. Some said Iron Maiden, some solo Ozzy, others noted Dave Grohl’s affinity for Motorhead. Instead, it was Judas Priest, in my opinion the most deserving of that lot. Judas Priest has been safely in my top ten Rock Hall prospects in both the 2015 and 2017 itinerations. But look…it took Deep Purple three tries to get in and they were considered the most egregious Rock Hall snub in some quarters. Hardly any one outside the metal community feels that way about Priest. They are an eminent metal band, and unlike others on this list, they are genuinely honored and delighted to have been nominated. I hope they get in one day, but this just doesn’t feel like their year. I’m sure they have Eddie Trunk’s vote, but it isn’t going to be enough.

L. L. Cool J (Preference: 18, Worthiness: 8, Likelihood: 8): Well, LL Cool J has the rap and hip-hop genres all to himself on the ballot this year (although Rage as a foot in that river). He has been feted by the Kennedy Center, but will it be enough? Two rap acts have gotten in during the last two years, but NWA was a proud iconoclast benefitting from a bestselling movie, and 2pac was a cultural icon in the conversation for the best rapper of all time. LL Cool J seems a little…safe after these two. And there may very well be “rap fatigue” among the voting body that still isn’t 100% sold on the genre. Having said that, LL Cool J has to be considered a contender on any ballot he’s on, but his chances seem a bit middling this year.

MC5 (Preference: 15, Worthiness: 15, Likelihood: 18) Tom Morello’s influence surfaces here as well, with one of his favorites earning their third nomination. This band is very much like a secret handshake among rock nerds and political iconoclasts. Despite a short heyday, they made history with their notorious manager John Sinclair, and their rough-hewn records and performances influenced everyone from My Chemical Romance to Sonic Youth. Don’t expect an induction this year, though: if it took several nominations for The Stooges, for example, to get in, MC5 isn’t making it with this many classic bands on the ballot. Plus, they are competing with RATM and Nina Simone as the most politically charged act on the list this year.

The Meters (Preference: 10, Worthiness: 17, Likelihood: 19) My respect for The Meters has grown exponentially since the day they were last nominated four years earlier. I hadn’t even heard of The Meters at the time, and therefore assumed that they didn’t deserve to get in. I was mistaken. Although they rank only 17th in terms of deserving nomination, I can’t say enough how much respect I have for their funky beats, halting and jerky rhythms and distinctive New Orleans sound. Having said all that, if Chic couldn’t get in under any number of scenarios, don’t expect The Meters to fare better.

The Moody Blues (Preference: 7, Worthiness: 2, Likelihood: 1) When I declared The Moody Blues as my #1 Rock Hall prospect back in 2015, that was probably…too much. I felt like I needed to put a ~real~ rock and roll band in the top spot, and so didn’t consider Janet or Kraftwerk or Carole King or someone for that honor like I should have. Nevertheless, The Moody Blues are one of the most famously egregious Rock Hall snubs ever. Even ten years ago, people were listing them alongside Chicago, Kiss, Genesis, Neil Diamond, Alice Cooper, and the like. Well- those artists are now in. And it’s the Moody Blues’ turn to join them.

Nina Simone (Preference: 2, Worthiness: 1, Likelihood: 4) Some people think she’s not quite rock and roll, or that she would be more fitting in an Influence or Musical Excellence category. I sort of understand, but ultimately come down strongly on inducting Nina as an artist. Like Miles Davis or Johnny Cash, she was a bridge between genres. She readily covered rock and roll standards in a jazzy nightclub style, and rock and rollers covered her songs too (most famously, “Don’t Let Me Be Misunderstood.”) In her career, she branched out to record some of the most direct civil rights anthems of her time. While, say, Odetta’s songs prayed for peace, Simone pointed fingers and demanded justice in “Mississippi Goddamn” and “I Wish I Knew How It Would Feel To be Free.” It’s no wonder that her influence continues through such figures as Beyonce, Lauryn Hill, Alicia Keys, and Mary J. Blige- any of whom would happily drop everything to help induct her in Cleveland. Dave Davies from The Kinks publicly tipped his hand with an enthusiastic “for God’s sake” preceding his intent to vote for her. I think that’s prescient. Do you honestly think the surviving Animals won’t pick her? Do you honestly think Paul McCartney- who credits her “I Put A Spell On You” for the sultry “I love you, I love you, I love you” bridge in “Michelle” won’t find a spot for her? Or Elton John, who named his damn piano after her? Or Mavis Staples? Or surviving members of the Family Stone? Or the Furious Five? Or the social justice-friendly critics and executives who put Joan Baez in last year? Don’t be silly. Nina Simone is getting in.

Radiohead (Preference: 9, Worthiness: 3, Likelihood: 2)  Back in the late 1940s, William Randolph Hearst gave a famous directive to his vast media empire: Puff Graham. A network of radio stations and newspaper outlets then spent months establishing Billy Graham as the nation’s evangelist par excellence, handing him fame and success- albeit in recognition of his considerable skills as a revivalist. That’s not unlike the relationship between the Rolling Stone Industrial Complex and Radiohead. For years, they’ve told us that The Bends and OK Computer are two of the greatest albums of their time. They found a space for them among their 100 Immortals (and believe me, they were very stingy about including post-1970s acts.) All of this was deserved, no doubt- but it didn’t hurt to have friends in high places. Their acclaim has translated to some of the most well loved records of the late 90s- and if the voters could put Green Day in during their first year, Radiohead should be a piece of cake.

Rage Against the Machine (Preference: 14, Worthiness: 7, Likelihood: 9)  I appreciate Rage Against the Machine, which gave my generation a hyper-politicized group as earlier generations had MC5 or Country Joe and the Fish. Rage was far more popular than either- to the point of developing a near sub-culture around themselves, and any discussion of great albums from the turn of the millennium will have to include The Battle of Los Angeles. In a different year with different contenders, I would be optimistic about their prospects. But now? They face competition from Radiohead for the “newbie who has to get in on the first ballot” stakes. They face competition from MC5 and Nina Simone as the most “woke” act available. Morello is an amazing guitarist, but he’s up against Mark Knopfler and Link Wray. Too much pressure from too many quarters- an unlucky ballot for RATM.

Rufus, feat. Chaka Khan (Preference: 12, Worthiness: 16, Likelihood: 15) I’m curious how Rufus got tied to Chaka Khan again- the last two years, it was just Chaka by herself. If anything, this makes Khan’s prospects even more unlikely- people don’t really remember Rufus, and they are more tied to the funkier end of disco, while Khan’s solo career put her into more favorable diva territory. It’s distantly possible they’ll get in, but if it took Donna Summer five tries before her death made her nigh-inevitable, I can’t see Chaka Khan having better luck. It’s a shame- Rufus and Chicago collaborated frequently, and I’d love to hear Danny Seraphine make another profane induction speech.

Sister Rosetta Tharpe (Preference: 8, Worthiness: 12, Likelihood: 17) I’m still a little puzzled by Tharpe’s inclusion on the ballot. She is, beyond dispute, a key piece of rock and roll history– but her heyday was in the 40s and early 50s. I’m not exactly sure what the Nom Com is up to– are they greasing the skids for an Early Induction award (of which Tharpe is wholly deserving?) Did someone else get the Early Influence slot and this was a consolation prize? Some other folks have said “nobody will vote for her, because they know she’ll get in as an Early Influence.” I don’t agree–it’s giving Rock Hall voters too much credit for knowing how their institution works. I doubt very many rock legends have the brain-space to remember Freddie King and Wanda Jackson’s backdoor inductions between touring, buying HD televisions, and remembering to give their former mistresses hush money.

Link Wray (Preference: 16, Worthiness: 14 Likelihood: 10) Link is back! His family has been great to me over the years, and I am delighted for them. His case may be helped by the recent documentary (I’m not sure how many people knew he was part Native American when he was last nominated for the Class of 2014). Nevertheless, like that ’14 ballot, he’s up against A-list 90s acts, and a bevy of never-before-nominated classic rock favorites. Yet as a 50s guitar hero whose stock and trade was rough and ragged instrumentals, he might very well sneak in by virtue of his uniqueness- there isn’t anyone like him on the ballot this year.

The Zombies (Preference: 1, Worthiness: 11, Likelihood: 14) Look, I’m in the tank for The Zombies. They are one of my favorite artists. Odessey and Oracle is one of my ten favorite albums of all time. If I were starting a superband, I’d pick Rod Argent as the keyboard player and work backward from there. I want them to get in, and in a different year, they’d make it. Put them on the ’15 ballot instead of Paul Butterfield, and I have a hunch they’d earn enough votes to get inducted. It’s unfortunate, because they are more musically excellent and more significant in the long term than either The Dave Clark Five and The Hollies- each of whom has been in the hall for the better part of a decade. Unfortunately, last year they were up against fellow psychedelic keyboard-heavy act Steppenwolf. And this year, they are up against their contemporaries The Moody Blues, who are more famous and had more longevity. (To emphasis the point of them being contemporaries, remember that “Nights in White Satin” and “Time of the Season” were recorded within weeks of each other.) Maybe someone like Terry Sylvester of The Hollies will vote for both, but I’d imagine most people will diversify their ballots a bit more– which puts The Zombies in a precarious place.

So…where does this go from here? If I had to predict the Class of 2018, I think Moody Blues, Radiohead, and Bon Jovi are gimmes, although I’d love to be proven wrong on Bon Jovi. I’m pretty confident about Nina Simone for reasons I detailed in her section. And I’ve got a good feeling about The Cars. For a radio-friendly, critically-acclaimed group, I just can’t see them falling short a third time. But that sixth spot, assuming there is one, is giving me fits. Dire Straits and Eurythmics seem like the two most logical choices. But I would give an outside chance to LL Cool J, J. Geils Band, Rage Against the Machine, and Link Wray. The others strike me as very long shots. In a contest between Dire Straits and Eurythmics, I’d have to predict the former. Knopfler is a top-shelf guitarist, and his songwriting and storytelling is their secret weapon. The hall loves those features, as the relatively painless inductions of Leonard Cohen, Tom Waits, Randy Newman, and Bill Withers all suggest. the problem is that this gives us a class very similar to last year’s: a bunch of classic rock mainstays, a first-year-eligible act or two, and just one woman and one artist of color. (In fact, in this case, they would both be the same person- Nina Simone!)

Who am I voting for on the rockhall.com fan vote? Well, The Zombies and Nina Simone are two pet projects of mine, and two of my favorite artists of all time. Of course I’m voting for them. I want to usher The Cars in after three tries, so they are in, too. I would round it out with Dire Straits and Eurythmics, two of my favorite artists who are also among my top 15 Rock Hall prospects. While I really appreciate The Moodies, I’m so confident of their chances that I don’t think they need my vote. Kate Bush and Sister Rosetta were in contention as well. I’m fine making Radiohead and RATM wait another year. That’s not a very balanced vote on my part- too many acts that peaked in the early 80s- but I can live with that. (For comparison, my votes last year went to: Pearl Jam, Janet Jackson, Joan Baez, Kraftwerk, and The Zombies.)

What do you think? Am I on the right track with my directions? Have a pegged your favorites wrong? Let me know in the comments- until then, we have two and a half months of speculating to do!

 

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The news leaked a little early, but around midnight on 5 October, we learned the identity of our nominees for the Rock and Roll Hall of Fame’s class of 2018. There were plenty of returning nominees: The Cars, LL Cool J, Link Wray, The Zombies, Depeche Mode, MC5, Rufus feat. Chaka Khan, J. Geils Band, The Meters, and Bon Jovi. We also have a collection of snubs receiving their first nomination. Two of them- Sister Rosetta Tharpe and Nina Simone- were theoretically eligible for the Rock Hall’s first class back in 1986. They are rounded out by Moody Blues, Dire Straits, Eurythmics, Judas Priest, and Kate Bush. Radiohead and Rage Against the Machine earned a nomination on their very first year of eligibility.

Wow! That’s quite a group. First impressions? It’s hard to go wrong with any of these. Almost. J. Geils is a joke, and I’m not fond of the Bon Jovi pick for reasons I’ll get in to…but you could make a fine class out of this batch if done properly. Lots of longtime snubs are addressed in acts like The Moody Blues. Metal-heads will be vindicated by Judas Priest finally earning a nomination.

A few things stand out, though. Others have noticed this- but this ballot is very light on R&B. (Remember, R&B is narrower than “black artists who don’t rap.”) Simone and Tharpe aren’t really in that genre, as jazz and gospel performers respectively. That leaves  Rufus/Chaka and The Meters. That’s…pretty astonishingly low, especially since these are two of the least likely acts to actually get enough votes. Compare that to the ballot for the Class of 2015 where Chic, War, The Marvelettes, The Spinners, and Bill Withers all vied against one another.

Two other omissions strike me as odd: Nine Inch Nails and Janet Jackson. I would have bet the farm on the Rock Hall moving heaven and earth to induct Reznor in Cleveland, a town he is deeply rooted in. For whatever reason, that didn’t happen. Janet was also passed by- an odd choice given how well her nomination was received during the last two years and the guaranteed ratings boost she would give the HBO special.

And then there’s Sister Rosetta Tharpe. I have mixed feelings about this. I’m thrilled that she’s now on the Rock Hall’s radar; she was listed as #1 when I ranked Early Influence candidates this summer, and that’s just the issue. Her best work was in the 1940s and early 1950s– an Early Influence by any fair assessment. The prospect of her getting in as an artist isn’t unprecedented- Muddy Waters is in as an artist too, and he peaked during that same period. But it’s very weird, and raises questions about whether this nomination is a bad faith effort to just grease the skids for an Early Influence or Musical Excellence nod. In fact, it was unusually ballsy for the Rock Hall to nominate a total of three acts whose first record came out before 1960: Tharpe, Nina Simone, and Link Wray.

And, frankly, I’m not thrilled with the Bon Jovi pick. I’m talking an awful lot of smack, given that I included them in my 100 Rock Hall Prospects, but this continues a depressing trend of choosing uber-commercial acts who don’t clear the Musical Excellence bar.  The Journey nomination seemed just a bit fishy to me last year, and Bon Jovi coming back- suspiciously after mending ties with the Rock Hall and re-donating their swag for exhibition- also raises concern. Look- if you like hair bands, great. Good on you. But musically, Bon Jovi is not in the same class as the other 18 musicians on this ballot. It’s true. And yet, they are currently leading the Rock Hall’s fan poll. That poll didn’t exist when they were first nominated back in 2011. But since it was initiated, the winner of the fan poll has always been inducted. In fact, at least three of the top five artists who win the fan poll get in. That’s disconcerting when black and female artists with greater musicianship tend to sink like stones in the public poll as hoards of suburban baby boomers vote for their favorites- look at the Meters and Rufus and Kate Bush rounding out some of the last places. If the trend holds and Bon Jovi gets in, who is next– Duran Duran? Def Leppard? Foreigner? Do they all get in before Kraftwerk and The Smiths too? Where does it end?

Finally, it’s hard to see who had the most influence on making this ballot. Tom Morello’s hand can be seen clearly in MC5 and Judas Priest’s nominations- both artists the RATM guitarist advocated for. But Questlove’s involvement cannot be readily perceived, nor can David Grohl’s. Those expecting a Soundgarden nomination were disappointed.  Similarly, my theory about Paul Shaffer nominating Warren Zevon also turned out to be bunk.

But let’s re-examine my predictions. I am proud to say that I got nine right: Radiohead, Rage Against the Machine, The Zombies, Eurythmics, LL Cool J, Link Wray, Nina Simone, J. Geils Band, and Moody Blues. Irritatingly, lots of artists I’ve predicted in other years showed up this year when I didn’t pick them: Judas Priest, The Meters, Kate Bush, Dire Straits, and MC5 all fell into that category. Troy Smith got an impressive ten right- congratulations!

For all my complaining, my two pet favorites, The Zombies and Nina Simone, are both nominees this year. If nothing else, I’m very grateful for that.

Hopefully this weekend, I’ll flesh this out, as is my custom, by rating each of the nominees on three scales: 1) how much I personally like them; 2) how deserving they are of induction; 3) how likely they are to be inducted.

Oh, and as a point of trivia- the top ten artists in my 2017 update to my Rock Hall Prospects have all now been nominated at least once: Moody Blues, Kraftwerk, Nina Simone, Carole King, Janet Jackson, Judas Priest, The Spinners, Dire Straits, and The Smiths. In fact, everybody in my top 15- with the sole exception of Mariah Carey- has  been nominated as well.

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I’m ready. Why wait? I realize this post is coming early this year, but I’m comfortable with my predictions, and don’t foresee changing them.

Somewhere in New York City, a group of about two dozen men and women will come together and put together the ballot from which the Rock and Roll Hall of Fame’s Class of 2018 will be chosen. Some of these will be longtime record industry executives. Others will be musicians, critics and other music writers, academics, and even the odd former MTV VeeJay. This post will try and guess who they will choose, based on previous ballots, news stories, and plain old intuition.

The committee deciding this ballot will have been under a certain degree of public pressure. Some progressive and feminist voices have urged the Rock Hall to work harder to induct worthy female acts, most notably the Inspirer series Induct These Women. This isn’t unwarranted; out of the last four years’ 23 performer acts inducted, only three were women. Only four out of nineteen acts nominated last year were women or included women in their lineup. On top of that, the Nominating Committee has to face a hard reality. Baby boomers continue to dominate the ranks of voters, and nearly every 70s classic rock favorite that gets on the ballot will be inducted, usually at the expense of a more significant act that didn’t have the hits (Kraftwerk) or a more deserving act from the 80s or 90s (Nine Inch Nails, Janet Jackson.) On the other hand, there is the faustian bargain with HBO to consider as well. Bigger acts with mass appeal net bigger audiences for the pay-per-view special, a consideration that may have encouraged Chicago, KISS, and Journey’s nominations after years of being snubbed.

My best guess is that the Nom Com will eschew the Seventies Classic Rock feel of the last few years. Part of this is because there aren’t too many no-brainer acts left from that era. We’d all like the Moody Blues or The Cars to get in one day, but other than that, Bad Company, Styx, and EL&P don’t have quite the same urgency as Deep Purple or Yes once did. Frankly, for all the criticism thrown their way, the Rock Hall has chipped away at inducting the most egregious snubs from that era with remarkable efficiency in the last five or six years.

One factor guiding my choices was a trend that I noticed, which may or may not be significant in the end. Unless the Rock Hall is really pushing an artist (think Chic or NWA), most repeat nominees have shown up two out of the last three years. A striking number meet that criteria: The Spinners, Chaka Khan, Nine Inch Nails, The Smiths, The Cars, Yes, Kraftwerk. I will try to guess partly with this trend in mind. Think of it like the three-field rotation system used in fiefdoms across Medieval Europe. Any given piece of land will lay fallow one-third of the time to let the soil rest and replenish its nutrients. Similarly, snubbing an act can generate as much hype (hey! why isn’t so-and-so on the ballot this year?) as nominating them. All this is to say- if an artist has been nominated the last two years in a row, I’m probably giving them a pass this time.

Also complicating this process is that we just don’t know how many acts will be nominated. In the last four years, we’ve had 15 (Class of 2016), 16 (Class of 2014), and even 19 (Class of 2017) artists on the ballot. So, here’s what I’ll do. I’ll list 15 acts that are definitely on my list. #16 will be contingent on their being 16 nominees, #17 if there are 17 nominees, and so on.

Radiohead: This year has been marked for some time as “the one where Radiohead gets in.”  For years, the Rolling Stone Industrial Complex has been drilling OK Computer‘s greatness into our heads. The last time that Rolling Stone’s experts gathered to name the 100 Greatest Artists of All Time, Radiohead placed #73. When VH1, where many other Nom Com members have roots, did the same, Radiohead did even better (#29). All signs suggest that they will be nominated on their first possible ballot; Radiohead’s presence is about as safe a bet as I can imagine.

Janet Jackson: And now, my exception to the three-field rotation theory. I think Janet is one of those acts that the Rock Hall really wants in, and people like Questlove are on hand to make sure that happens. Janet is one of the most significant artists of post-1980 R&B, a pioneer of visual style and production, who also happens to have one of the biggest caches of Top Ten hits of any modern Top 40 artist. The fact that she’s not in is a veritable justice malfunction. Worthy on her own merits, her induction would also alleviate criticisms that the Rock Hall hasn’t been fair to artists of color, women, and post-baby boom acts. Besides, you need a showstopper for the HBO special, and Janet is perhaps the best all-around entertainer on this list.

L.L. Cool J: The Northumbrian Countdown also projects L.L. Cool J to return to the ballot for the first time since the Class of 2014. Since that year, the Hall has not run two hip-hop/rap artists on the same ballot in order to clear the table for NWA, and then 2pac. This leaves L.L. Cool J. remaining as probably the most historically significant rap artist currently eligible. His recent Kennedy Center honors only adds to his renown. As an added bonus, enough time has passed to make people forget about the god-awful “Accidental Racist,” whose only virtue was giving me an example of false equivalency to use in my history classes.

Nine Inch Nails: If the two-thirds theory holds, we can welcome Trent Reznor back on the ballot after a surprising absence last year. Since the ceremony will be held in Cleveland this time around, the Rock Hall will surely not want to miss out on the fantastic optics of nominating this eminent industrial act on its home turf.

Soundgarden: The tragic suicide of Chris Cornell earlier this year is likely to resonate with the Nominating Committee. Both Tom Morello and Dave Grohl knew him well; Grohl through the early grunge scene in Seattle, and Morello through their collaborations in Audioslave. Soundgarden was a solid contender for “the next alternative/grunge act on the docket” even before this sad occurrence. It’s very likely that Morello and Grohl will use their political capital to try and honor their departed friend.

The Zombies: So, this year, one of the only British Invasion bands still touring went out and performed Odessey and Oracle (one of Rolling Stone‘s Top 100 albums of all time, btw) in its entirety, often to packed houses and rave reviews. On top of this, The Zombies got their very own mini-exhibit in the Rock Hall this July (alas, it opened just a week after my own visit!) Given their influence on indie music and mods like The Jam, the Zombies had an outsized significance that belied their short heyday and limited oeuvre.  The Hall wants them in, and so do I.

The Smiths: This is another returning nominee. It seems like the Nom Com has agreed that this band is the 80s alternative choice they will focus on, perhaps at the expense of The Cure and The Replacements. While Grohl’s addition to the Nom Com got most of the attention, I’ll bet you didn’t notice that MTV and VH1’s Sandy Alouete is also aboard now. When she worked at Reprise Records one of her clients was…wait for it…Morrissey. Between this and The Smiths’ appearance on the ballot for 2015 and 2016, I think it’s fair to think they might show up again. Unless Morrissey wore out his welcome with Alouete (and since it is Morrissey we are talking about, that’s entirely possible).

Nina Simone: This is a risky prediction. She isn’t listed on Future Rock Legends’ master list of previously considered artists. Her connection to rock and roll isn’t obvious and requires a bit of historical context and critical thinking. But look at Joan Baez, someone who admitted in her own induction speech that she wasn’t entirely a rock-and-roller. She got in easily the first time she made a ballot, and her influence on Dylan, Joni Mitchell, and every Lilith Fair artist made her selection fairly uncontroversial. Now that Baez is in, I think the Nom Com might pick another woman with outspoken politics, this time a jazz and blues piano player who aligned with Black Pride and stared down the Jim Crow system. Of course, her suitability is enhanced by the vast number of R&B stars who look up to Simone, not the least of which is Beyonce, who put in some Nina ‘easter eggs’ in her Lemonade videos. Just last month, the Turning the Tables project listed her I Put A Spell On You album as the third greatest album by a woman.

War: This may be indicative of nothing, but this multi-racial funk band has been nominated regularly in three-year intervals: 2009, 2012, 2015…and 2018? The Nom Com loves 70s soul; Questlove and many others think highly of them. This is a band that’s easy to nominate, but perhaps hard to induct.

Link Wray: His nomination for the Class of 2014 was greeted with acclaim by rock historians and record collectors, even if he didn’t get in. This 1950s power chord innovator may get another chance, thanks to the impending release of the film Rumble, exploring Native American contributions to popular music. The film boasts involvement from two Nom Com members, Robbie Robertson (who is himself of Mohawk heritage) and Steve Van Zandt.

Warren Zevon: One of the highlights of last year’s ceremony was David Letterman’s speech for Pearl Jam, arranged at the last minute when Neil Young was too ill to do the honors himself. Letterman’s funny, moving panegyric to the famous grunge band ended with a wish that his friend and frequent Late Show guest, Warren Zevon, would be inducted. Letterman might get his wish sooner than he expects. The Hall loves nominating elliptical, but darkly poignant, singer-songwriters: Leonard Cohen, Randy Newman, Tom Waits: all of them were not only got nominated, but inducted with minimal fuss. Happily, Letterman’s maestro, Paul Shaffer, is on the committee and usually serves as music director for the ceremony. He’s in a good position to facilitate werewolves in Cleveland this year.

Roxy Music: There is nothing in the news that suggests this will happen, but geez…it’s got to be one of these years, right?

J. Geils Band. It seems unlikely that the Hall would nominate so many deceased artists, but J. Geils got a nomination last year, so it is unlikely they would be denied after the death of their namesake member. At any rate, the Rock Hall is pretty fond of the blues, so they’d be under consideration even without a visitation from the “death fairy.” The Nom Com often takes a “wait your turn” approach, and it seems J. Geils is somehow ahead of Johnny Winter and John Mayall & the Bluesbreakers in the “white boys playing the blues” queue.

Eurythmics: The need for more women in the Rock Hall could redound to the benefit of Annie Lennox. I considered solo Stevie Nicks for this spot as well, but the Hall loves soul, and few people did more to infuse the sometimes sterile feel of new wave with soulful vocals. Lennox has been fairly visible the last few years, between appearances at the Grammys and an acclaimed album of standards. From their history-making videos, to the overt girl power of “Sisters are Doing It For Themselves,” the Eurythmics tick all the boxes we might associate with likely Rock Hall nominees.

Rage Against the Machine: And I’m bookending my original 15 picks with another act eligible for the first time this year. Here’s what I think will go down: Tom Morello’s philosophy is such that he’ll probably say something like, “it’s bullshit that I get to be on the nominating committee that might put my band in the Rock and Roll Hall of Fame. It’s also bullshit that Rage Against the Machine could get in before MC5, before Judas Priest, maybe before Nine Inch Nails, and other bands that influenced us. Please- don’t nominate us this year.” I’m willing to bet, though, that someone on the committee makes a case like this: “right now, the machine is in full force. A bloodthirsty form of capitalism is running amok. Bigotry is going unchallenged. Law enforcement is killing unarmed black men in the name. We need Rage Against the Machine now, more than ever.” And I’m willing to bet that Morello relents.

So those are my predictions if there are fifteen nominees, the historical norm for the last decade or so. But if there are sixteen, add The Shangri-Las. While fellow-girl group The Marvelettes have been nominated before, The Shangri-Las probably have more contemporary relevance, and at any rate, Marvelettes supporters were likely the sort of committee members who got axed in the Great Purge of 2015. The Shangri-Las had a darker, more serious edge to them, influencing Amy Winehouse, Blondie, and countless others.

If there’s seventeen, add Moody Blues. It’s astonishing that they haven’t been nominated before. While there’s little to suggest any real movement in their favor this year, the Rock Hall’s trend of nominating popular hitmakers from the 1960s, 70s, and 80s is undeniable. I am really loathe to predict this band- not because I don’t like them, but because their presence would almost certainly block a Zombies induction.

Eighteen nominees? Make it The Spinners. Cliff Burnstein, a known advocate of theirs, remains on the committee, and are enjoyed by Questlove as well. My two-thirds guideline would also predict a return nomination by The Spinners.

And if last year’s total of nineteen nominees is repeated, my final prediction would be PJ Harvey.  It’s a stretch- she also seems to have not been considered before by the committee, but then, she only became eligible last year. One possible advocate to look for would be Lenny Kaye. Kaye was a member of the Patti Smith Group, and Harvey is one of the more important heirs to Smith’s legacy. Critics such as those on the committee have usually held PJ Harvey in great esteem, and when Rolling Stone met to determine the 500 Greatest Albums of All Time, an eyebrow-raising three of them were hers. (To emphasize how impressive that is, consider that Elvis, Madonna, The Clash, Marvin Gaye, and Michael Jackson also had three albums on the list.)

So those are my best guesses for the ballot this year. Remember, these are merely who I ~think~ will be nominated, not my picks for the most deserving of the honor. All told, I think this would be a strong ballot if it happened, although some would decry its lack of pure classic rock.  Even with 19 picks at my disposal, though, there were many other artists I wish I could have included. I don’t have any country, or heavy metal, or true punk artists on the list. I’m also worried that there are too many deceased artists among my projections.  Simone, Wray, Zevon, Chris Cornell, J. Geils, and all but one classic-era Spinner are gone. And it pained me to leave off Devo (which shares NIN’s Ohio origins), Depeche Mode, Foreigner, Carole King, Kraftwerk, Joe Cocker, Judas Priest, A Tribe Called Quest, and lots of others.

What do you think of my predictions? If this were actually the ballot, I’d probably vote for Nina Simone, The Zombies, The Spinners, Janet Jackson, and Eurythmics. But the six artists who would get inducted would probably be Radiohead, Janet, Nina, Moody Blues, Nine Inch Nails, and LL Cool J.

In the weeks ahead, keep your eyes peeled for other predictions- most of the other Rock Hall watchers are listed on my blogroll, and their writings are definitely worth a look. When the ballot is finally announced sometime in October, I hope you’ll revisit the Countdown as we pick it apart and try to guess who will be inducted.

 

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On Tuesday morning (well, Tuesday night for me, since I’m in Singapore) the Rock and Roll Hall of Fame unveiled its list of nominees for the Class of 2017. Although Troy Smith of the Cleveland Plain Dealer had telegraphed that the slate was very good and quite diverse, music fans across the world were taken by surprise to find that 19 nominees were put forth. This is more than any year since the Rock Hall’s foundational years, when the 1960s A-listers weren’t all in yet.

In case you haven’t heard, the nominees this year included: Bad Brains, Chic, Pearl Jam, Tupac Shakur, The Zombies, Janet Jackson, Yes, The Cars, Chaka Khan, Joan Baez, Joe Tex, Depeche Mode, Kraftwerk, Steppenwolf, MC5, J. Geils Band, Journey, Electric Light Orchestra, and Jane’s Addiction.

In the weeks ahead, I’ll run down the nominees one by one, offering my thoughts on who is worthy and who is not; who will get in and who probably won’t. But for now, let me just sketch out some of my first impressions on this fascinating list.

  • As others have already noted, there’s a little something for everybody here. Lots of different sub-genres from folk to punk to R&B made it, alongside some classic rock favorites.
  • I did notice one particular trend. With the exception of perennial Chic, every other artist who was on the last two ballots didn’t make it on to this one. In this case, that left Nine Inch Nails, The Smiths, and The Spinners in the lurch.
  • Congratulations, #InductJanet. You’ve run a great, classy, persuasive campaign that is still bearing fruit. I was skeptical that Jackson would be nominated, given her pregnancy and the possibility she might still be recovering when it’s time to perform. I’m delighted that the Rock Hall did the right thing and nominated her regardless.
  • The Rock Hall showed uncommon discipline this year; none of the names leaked or got out early, and they have replaced their robot-infested poll from last year with a new system requiring sign-in and limiting votes to one per day. It’s still possible, I suppose to get around it, and many aren’t happy that the vote totals are now secret, but I’m less bothered by it. It’s a step in the right direction.
  • In terms of our predictions, this made fools out of a great many of us. Despite 19 selections, I only got six right (Pearl Jam, Tupac, The Cars, Kraftwerk, Chic, and The Zombies). All of these were fairly obvious except for The Zombies, who I think I was the only Monitor to pick.
  • Also, a lot of artists we thought would make the ballot didn’t. Aside from NIN, The Smiths, and The Spinners, other frequently predicted artists who didn’t make the cut included: The Cure, The Monkees, Moody Blues, and Judas Priest.
  • Tom Lane correctly got nine (!!) predictions, while the rest of us tended to bottom out at six (Charles Crossley was another exception; he got eight correct.) Tom was especially prescient in naming Joan Baez.
  • This list is slightly (but only slightly) less America-centric than other years. There’s four British acts (ELO, Yes, The Zombies, and Depeche Mode), one Canadian act (Steppenwolf…Guess Who must be pissed right now), and out Teutonic overlords in Kraftwerk.
  • How does this connect to my Top 100 Rock Hall Prospects list? Remember- one of my rules was that each act must have been passed over at least once, so Pearl Jam and Tupac didn’t qualify at the time I wrote it. Other than that, three acts are from my top 10 (Kraftwerk, Janet, and Yes), and five others were in the top 30 (Journey, The Cars, Joan Baez, The Zombies, and Chic). Others placing on the list were Depeche Mode (#35), ELO (#46), Jane’s Addiction (#50), MC5 (#72), and Chaka Khan (#80). That leaves Bad Brains, Steppenwolf, J. Geils Band, and Joe Tex on the “bubbling under” chart. (Although if I had to do my list over, I’d include Bad Brains and maybe kick out Los Lobos purely out of spite, since they didn’t play “La Bamba” when I saw them this summer.)
  • Questlove’s fingerprints aren’t really on the ballot this year. There’s a couple acts he’s probably supportive of- notably Janet and Chaka Khan- but no act he’s on-the-record crazy about, like War, The Spinners, De La Soul, or A Tribe Called Quest. Did he miss the meeting this year?
  • It’s interesting that the Hall so prominently displayed the categories of inductees on their announcement page. It makes me wonder if we might have an Early Influence, Non-Performer, and Musical Excellence award. For the record, I’m going to call Sister Rosetta Tharpe for Influence, Brian Eno or Rick Rubin for Non-Performer, and The Revolution (as in Prince and…) for Musical Excellence.

So that’s where things stand presently. I’ll have a lot more to say soon, with formal rankings of the artists and deeper riffs in terms of what all this says about the Rock Hall and where it is going. For now, go vote for your favorites at Rockhall.com and stay tuned!

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Back in May, I posted my preliminary slate of predictions for the Rock and Roll Hall of Fame’s nominees, in anticipation of the Rock Hall’s choices being revealed in early autumn.  The winners among these nominees will probably be published in December, and those artists will eventually be inducted as the Class of 2016.  What follows is essentially a reblogging of my earlier post, adding some new considerations where relevant, taking out some extraneous comments, and changing two of my fifteen picks.

Since my original post, we’ve had a couple of high-profile deaths in the Rock world, some of which impact my choices, but even more substantively, there has been a major overhaul within the Nominating Committee.  It seems as though around 16 members of the Nominating Committee were let go, leaving a core of perhaps 28 members.  My fellow Rock Hall watchers, especially Charles Crossley, Jr. and Neil Walls, did some great investigative work to piece together who was cut, including Bob Hilburn, Arthur Levy, Claudia Perry, and Roy Trakin.  The initial journalism on this development suggested that the committee on early rock and roll was decimated.  Certainly, those who were let go are older, whiter, and less institutionally tied to the Rolling Stone magazine hierarchy that dominates the induction process.  It isn’t unreasonable to guess that we will see even fewer 50s and early 60s acts than before, and the recent tilt toward 80s and 90s acts that dominated last year’s ballot will probably continue unimpeded.  Roger Friedman believes that Jann Werner wants to trim down the eligibility from 25 to 20 years after an artist’s release, but given Friedman’s slapdash journalism style, as well as the logistical problems of Tupac, Smashing Pumpkins, Mariah Carey, Beck, Rage Against the Machine, Radiohead, Biggie, and Pearl Jam all becoming eligible at once, makes me very skeptical.  For now, I have to assume that the autumn slate of nominees will be, as customary, 15 artists, all of whom released their first record at least 25 years ago.

1.  Nine Inch Nails:  NIN made it on the ballot during their first year of eligibility.  Lots of people thought they would get in, and they even placed second in the Rock Hall’s online fan ballot.  And yet, they didn’t make it; interestingly, out of the five winners on the fan ballot, they were the only ones who fell short among the actual voting committee.  It is likely that they will make a return appearance.

2.  Deep Purple: Many people were shocked when Deep Purple wasn’t on last years’ ballot, since they made it each of the two years prior.  If they had been nominated, they very well might have gotten in, spared from having to compete with popular hard rock acts Heart (2013) and KISS (2014).   We’ve arrived at a point where Deep Purple needs to get into Cleveland pronto.  The “Not in the Hall of Fame” site lists them as the single biggest Rock Hall snub, and there is an immense backlog of hard rock acts like Iron Maiden and Judas Priest that probably won’t have a realistic shot until Deep Purple is in.  Robert Hilburn is a known opponent of Deep Purple, so his dismissal from the Nom Com could help their chances.

3.  Yes: So, my theory last year that they had actually gotten voted in for the Class of 2014 but could not attend because of touring commitments was probably spectacularly wrong. But that doesn’t make Yes any less deserving.  Sadly, Chris Squire, the workmanlike bassist who was the only consistent member of the Yes lineup through their 45+ year history, died earlier this summer after a battle with leukemia.  It’s a shame; Squire deserved to see his band inducted while living.  Hopefully, Yes (one of my father-in-law’s favorite bands) will be able to reunite for a great tribute performance in Squire’s honor if nominated and voted in.

4.  The Meters:  This funky New Orleans outfit is unknown to many casual rock and roll fans, but their respect in the music industry is resolute and enduring.  They have appeared on the ballot four times before, including twice in the last three years.  Clearly, some influential folks are pulling strings for the Neville brothers and their cohorts.  Out of all the picks, this is the one I’m most iffy about- this spot could just as easily have gone to War.  Their appearance here is more of a reflection of my pessimistic belief that the ballot will include a few acts that just shouldn’t be in.  But R&B and/or funk will be represented.  You can count on it.

5.  Sonic Youth: The Rock Hall has really been struggling with an amorphous category that one might call post-punk or proto-alternative acts: edgier Gen-X mood music that dwells on disillusionment and eschewing melody for authenticity.  Someone from that world shows up on just about every ballot, but ends up falling short.  Last time, it was The Smiths.  The year before The Replacements, and a couple years earlier The Cure.  My own opinion is that The Cure are best qualified to take this spot, but my guess is that the Nom Com will finally settle on Sonic Youth, a name that’s been batted around for years.  Sonic Youth was only slightly less significant than The Cure, and was the hip 15-year-old babysitter to a lot of alternative acts when they were little kids, if that metaphor makes sense.  The Hall will be under (well-warranted) pressure to induct more women, and Kim Gordon’s presence will parry this criticism.  Gordon’s recent book, Girl In A Band, will also generate some chatter that will help them.

6.  Warren Zevon: Come on now, we know this routine.  There’s a singer-songwriter every year, and on his or her merits, it seems like their case for induction is shaky.  But they always make it in the end somehow.  (I’m sure you’ve met the last several models: Bill Withers, Cat Stevens, Randy Newman, Donovan, Tom Waits, Laura Nyro…)  While I’d like to see Carole King get this spot, Zevon has a strong chance this year.  Retiring late night host David Letterman has expressed his wish to see one of his favorite guests in the Hall, and where Letterman goes, Paul Shaffer is never far behind.

7.  NWA:  It’s clear that Toure and Questlove are committed to getting NWA in.  Last year, a lot of folks- including myself- thought they would pull it off, but it was not to be.  With a biopic of the group out in the theatres, and the ceremony in 2016 held in L.A. (within drive-by shooting distance of Compton), it is tough to see how NWA doesn’t make it back onto the ballot.  I am not a fan of their violence and misogyny (two social problems that are by no means limited to rap music; go listen to Nugent sometime if you doubt me.)    But with continuing police violence and discrimination against the black community dominating the news daily, “F— The Police” will keep resonating with the public.  Recently, Dr. Dre has started making some new music, and rumors of a reunion tour are starting to spread, adding to the buzz around their name.

8.  Chic: I feel so bad for Chic.  They have now been nominated nine times for the Rock and Roll Hall of Fame, more than any other artist except for soul legend Solomon Burke.  Nile Rodgers’ battle with cancer couldn’t muster enough sympathy to take them over the edge, nor could the spectacular success of Rodgers-produced “Get Lucky.”  Chic- or rather, Rodgers and assorted friends- have some new music out this year, but whether this will be enough remains anybody’s guess.  Chic is also a band more well loved by music historians than the general public: they earned less than 2% of the votes in the Hall’s official online fan ballot.

9.  J. Geils Band:  It took four tries, but Jann Werner finally shoe-horned the Paul Butterfield Blues Band into the Hall of Fame last year.  I don’t wish PBBB ill, but I think they leapfrogged over many more deserving and widely respected acts.  My guess is that PBBB’s successful induction will only encourage the Nom Com’s bad habits, and they will pick another Werner-sanctioned blues outfit filled with white boys.  (Rest assured that they will be nominated on the grounds of their earlier blues efforts, not 80s hits like “Centerfold.”)  The fact that Peter Wolf inducted PBBB this year is a pretty straightforward signal that we could see J. Geils Band return to the ballot for the fourth time after a few years’ absence.

10.  The Spinners: I originally had Big Star at this spot; Holly George-Warren is on the committee and recently wrote a biography of their tragic frontman, Alex Chilton.  Instead, I’m playing it safe.  The Spinners have been on two of the last three ballots, and several of their partisans survived the culling, including Questlove, Metallica manager Cliff Burnstein, and Dave Marsh.  (Read Marsh’s book of Rock Lists where he pontificates on the best records released each year.  There’s a Spinners single listed nearly annually throughout the 1970s.)

11.  Wille Nelson:  On the Dan Patrick Show, Rock Hall president Greg Harris was asked which uninducted artists deserved to be in the Hall.  Harris demured at first and dodged around the question, but the hosts kept badgering him.  The closest Harris got to an answer was an offhand mention of Willie Nelson.  Additionally, Seymour Stein has led a push for more country artists in the Hall.  Nelson has been racking up the accolades this year, with a heavy presence at the Grammys and a well-received autobiography.  There is precedent for the Hall putting in country artists who were often duet partners and collaborators with rock and rollers; just look at Johnny Cash and Bonnie Raitt.  And temperamentally, the Red Headed Stranger’s outlaw persona, Farm Aid activism, and egregious use of pot make him a good fit with the qualities the Rock Hall values; he has always been a figure more at home in Woodstock than the Opry.  There will be pressure to induct the 81-year-old singer while he is still among the living, and he’s never had a better chance to make the Rock Hall than this year.

12.  Ben E. King:   Ben E. King or Joe Cocker?  They are probably the two biggest solo artists to have died in the past year.  I doubt both will get nominated.  I’m pretty sure one of them will.  While my gut says “Joe Cocker,” all the tangible evidence points to King.  Springsteen and U2 performed “Stand By Me” in the wake of his death, and they have direct lifelines to the Nominating Committee.  The older guys on the Nom Com will remember his career fondly, and the younger folks will still be familiar enough with his catalog to give some sympathy-support.  Besides, King wrote at least some of his hit songs, and Cocker didn’t.  In fact, you’d have to go all the way back to 2003 and the Righteous Brothers to find the last time a white male interpretive singer (e.g. someone who didn’t generally write his/their own material) was inducted into the Hall of Fame.  And between Lou Reed, Peter Gabriel, all four Beatles, and all four members of CSNY among many others, heaven knows that the Rock Hall loves having new members into its so-called Clyde McPhatter Club of multiple inductees.  (Like McPhatter, King is already inducted as a member of the Drifters.)

13.  Smashing Pumpkins: This is my second change to my original post: an artist who became eligible for the first time this year, and displaces MC5 on my list.  Smashing Pumpkins were just too big in the 1990s and too influential to ignore.  The Rock Hall tends to pick at least one first-year-eligible act every year, and Smashing Pumpkins takes that crown, beating out Mariah Carey, Alice in Chains, and A Tribe Called Quest.  They don’t have ~quite~ the same historical significance as other acts honored with a nomination their first year out, which tend to be in the conversation for “100 Greatest Rock and Roll Artists Ever” (think Nirvana or Green Day or or Guns N Roses or even The Beastie Boys for recent examples.)  But given the Nominating Committee’s statistically younger demographics, and the undeniable trend toward shepherding 90s acts into the Hall, I am persuaded to include them on my list.

14.  Peter, Paul & Mary:  And now, finally, we come to- quite appropriately- my “Hail Mary” prediction, the most far-fetched selection on my list.  When Bob Dylan gave a speech at Musi-cares on his career, he singled out the trio for characteristically back-handed praise: “I didn’t usually think of myself as writing songs for others to sing, but it was starting to happen. And it couldn’t have happened with a better group. They took a song of mine that I’d recorded before that was buried on one of my early records (‘Blowin’ in the Wind’), and they turned it into a hit song. Not the way I would have done it — they straightened it out. But since then hundreds of people have recorded it. I don’t think that would have happened if it wasn’t for them. They definitely started something for me.”  Tom Morello was a performer at the event, so hopefully, he was paying attention to Dylan’s sage words.  But more than this, PP&M have been getting some high-profile attention lately.  In 2014, a two-years-behind-schedule retrospective for their 50th anniversary was published, with no less a figure than Secretary of State John Kerry writing the foreword.  What’s more, the Rock Hall summer film series is showing Festival!, a documentary on the great folk festivals of the 1960s, and the description of the film gives special attention to Peter, Paul & Mary, as well as Joan Baez (another artist I considered.)  To continue the momentum in their favor, the recent series of 50th anniversaries from the Freedom Struggle reminds us all of the courage and commitment the three of them showed, having performed at the March on Washington, and later speaking out against the Vietnam War and Apartheid.  And for most Rock Hall voters, left-wing activism never hurt anyone’s chances.  If I am reading these tea leaves correctly, all this amounts to the clearest chance a pure 60s folk act has had in a long time.

15.  Janet Jackson:  So far, we are missing one thing: a showstopper, a headliner.  No Rock Hall induction ceremony is complete without one, especially now that there is an expensive contract with HBO to honor.  It’s got to be Janet’s year.  My friends over at the Induct Janet social media campaign have continued to fight the good fight.  They have made sound arguments and politely but persistently lobbied musical critics and Nom Com members to recognize Miss Jackson’s contributions to 80s and 90s R&B and dance music.  Given how most online campaigns to induct certain artists are angry, barely literate screeds in ALL CAPS about the Nom Com’s bias and ignorance, their tact and dignity stand out.  Jackson’s chances are given a boost by her recent announcement that a new album and tour are in the works; this will be no nostalgia nomination, but a pick for an active, working artist.  Janet deserves to be in, and at any rate, it is really weird that Tito Jackson is in the Rock and Roll Hall of Fame, and Janet is not.

— Unfortunately, there were some compelling choices I had to leave off, including the aforementioned Big Star, Joe Cocker, and MC5.  The Eurythmics have a good chance, especially given Annie Lennox’s standout performance at the Grammys.  And the removal of several old fogeys makes a second rap or hip-hop artist likely, probably L.L. Cool J or De La Soul.  In an effort to get more deserving women into the Hall, Joan Baez could be the folk nominee and perhaps recent Kennedy Center honoree Carole King could be nominated as a performer.  If so, King could become the first person inducted into the Hall in two separate categories, since she’s already in as a non-performing songwriter.

So, there’s my 15 picks.  This covers most of the bases, in terms of sub-genres of rock and roll, different eras, and racial representation.  Funk, folk, dance, singer-songwriter, R&B, classic rock, prog, alternative, country, and the blues are all represented here.  Given this excellent infographic on how few women are in the Rock Hall, my list includes five artists with at least one woman on board: Janet Jackson; Peter, Paul & Mary (Mary Travers), Sonic Youth (Kim Gordon), Smashing Pumpkins (D’Arcy Wretsky), and Chic (the various female singers they’ve employed over the years.)  6 of the 15 are artists of color.  9 have been nominated before, although this honor ranges from Ben E. King (last nominated during the Reagan administration) and Nine Inch Nails (nominated during their/Reznor’s first year of eligibility in the fall of 2014.)  5 of the 15 peaked artistically after 1980, though, a number that seems too low to me and has me worried that my own list is too indebted to the 1970s.  Another problem I foresee is that my choices smell a bit like a funeral parlor: between Ben E. King, Warren Zevon, Chris Squire, Mary Travers, Bernard Edwards, Easy E, and most of the Spinners, there’s plenty of great musicians who didn’t live long enough to take part in their induction.  The Hall may opt for more living artists.

Let me know your thoughts in the comments section!  I’d be curious to know: which 5 artists would you vote for if this was the actual ballot?  If it were me, I’d say: Janet Jackson; Peter Paul & Mary; Deep Purple; Chic; and either Yes or The Spinners for that fifth spot.  Eh, probably Yes, if only to pave the way for the Moody Blues or Jethro Tull next year.

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